Join CJ as he reviews Orson Welles’s finally-finished movie The Other Side of the Wind and the documentary about it, They’ll Love Me When I’m Dead, both now available on Netflix.
Read moreCJ, Adam and Christie are intrigued, excited, perplexed and ultimately a little divided on Netflix’s new sci-fi series with a big cast – Emma Stone and Jonah Hill – and a seriously in-demand director, Cary Joji Fukunaga (who will be helming the next James Bond film).
Read moreAdam, Christie and CJ are blown away by the brownouts, turds and poo piñatas that feature in the return of Netflix’s groundbreaking, hilarious true-crime parody.
Read moreChristie, Adam and CJ are still finding themselves challenged and thoroughly entertained by Raphael Bob-Waksberg’s extraordinary Hollywood satire.
Read moreCJ Johnson and Adam Boys sit down to review ‘Searching’, the hyper modern debut thriller from from Aneesh Chaganty, which follows the journey of a father as he is forced to use the digital technology we now use every day to track his daughter’s footprints before he looses her forever.
Read moreCJ Johnson and Adam Boys review Sharp Objects, the incredible new HBO series directed by Jean-Marc Vallee and starring Amy Adams who plays reporter Camille Preaker, who returns to her small hometown to investigate mysterious, unsolved crimes.
Read moreAustralia’s favourite film and television critiques, CJ Johnson and Jim Flanagan, return to review one of the most anticipated films of 2017: Blade Runner 2049.
Read moreJohn Denver’s Annie’s Song was used very prominently in this year’s Free Fire and Okja. His song Take Me Home Country Roads was used very prominently in Alien Covenant and Logan Lucky. Now, Kingsman: The Golden Circle uses both, very prominently. Channing Tatum was in Logan Lucky and is now in Kingsman. Co-incidence? I don’t […]
Read moreJim Flanagan joins CJ Johnson on Watch This to run the litmus paper over CJ’s theory that War For The Planet Of The Apes is a secret remake of Apocalypse Now.
Read moreJoin CJ Johnson and Jim Flanagan as they reflect on the ground breaking career of the founding father of modern horror, George Romero.
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